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- The practice & science of drawing
- The Practice and Science of Drawing
Speed, whose career spanned the late 19th and early 20th centuries, carried forward the traditions of academic teaching, tempered with an understanding of the new paths then being blazed by the Impressionists and others. Unlike Oil Painting Techniques and Materials , which is available largely as a single edition, The Practice and Science of Drawing , which is also in the public domain, is available in a confusing array of editions, some good, some not so good, some minus the illustrations altogether. In the meanwhile, there is a complete online facsimile edition available on the Internet Archive. The digital version is worth looking through and, with a bit of fuss, you can use the enlarge and scroll buttons to view the illustrations without the page-flippy widget driving you crazy.
The practice & science of drawing
For the central part of the book, where one may obtain a clear understanding of the four instruments with which Jones has worked, 1 have only praise. In the context material that has been selected to accompany these details, I find too much missing. An overview of the possibilities of lumia available to the reader of Leonardo has been ignored. Perhaps I ask too much of an author who tries to be comprehensive. The Practice and Science of Drawing. Harold Speed. Dover, New York,
The Practice and Science of Drawing
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THE PRACTICE 8f SCIENCE OF DRAWING BY HAROLD SPEED it Associ de la Socie'te' Nationale des Beaux-Arts, Paris ; Member of the.
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Categories Drawing. When it comes to getting educated on a process, it can be helpful to spend time studying. Free drawing books are great for helping you to expand on your knowledge base as an artist. These helpful guides can provide amazing insight into the process that you love.
In this work, Harold Speed approaches this dynamic aspect of drawing and painting from many different points of view. He plays the historical against the scientific, theory against precise artistic definition. He begins with a study of line drawing and mass drawing, the two basic approaches the artist needs to learn. Further sections carry the artistic vision through unity and variety of line and mass, balance, proportion, portrait drawing, the visual memory, materials, and procedures. Throughout, Speed combines historical backgrounds, dynamic aspects which each technique brings to a work of art, and specific exercises through which the young draughtsman may begin his training.
Быстро пришлите сюда людей. Да, да, прямо. К тому же у нас вышел из строя генератор. Я требую направить сюда всю энергию из внешних источников.
Она перечитала его послание. СЕЙЧАС ВАС МОЖЕТ СПАСТИ ТОЛЬКО ПРАВДА - Правда? - спросила. - Какая правда. Стратмор тяжело дышал.